Advanced Conducting
Advanced Theory
Chamber Music
Choral Methods and Literature
Composition I and II
Computer Music Composition
Conducting
Chromatic Theory
Cross-Cultural Perspectives in Music
Diatonic Theory
History and Literature of Music
Instrumental Methods and Literature
Introduction to Classic Jazz
Introduction to Modern Jazz
Introduction to Music
Introduction to Music Education
Introduction to Music Fundamentals
Introduction to Popular Music in the US
Jazz and Social Justice
Jazz Improvisation
Jazz Theory and Arranging
Music and Culture I: Chant to Beethoven
Music and Culture II: Beethoven to Virtual Music
Music and Culture: Africa & the Diaspora
Music and Culture: Jazz, Rock, & Race
Music and Culture: Music in American Life
Music and Culture: Popular Music
Music and Culture: Silk Road
Music Capstone
Music for Classroom Teachers
Music Projects: Selected Topics
Performance Seminar I & II
Philosophy of Music
Piano Pedagogy
Popular Music in the USA
Principles of Teaching Music
String Methods
Student Teacher Seminar
Studies in Music
Topics in Music History: pre-ca. 1800
Topics in Music History: ca. 1800-1900
Topics in Music History: ca. 1900 to the Present
Voice
World Music
Courses available for the following instruments: baritone horn, bass clarinet, bassoon, brass and percussion, clarinet, contrabassoon, cornet and trumpet, English horn, flute, French horn, keyboard, guitar, harp, harpsichord, Javanese gamelan, oboe, organ, percussion, piano, saxophone, sousaphone, string bass, strings, trombone, tuba, viola, violin, violoncello, woodwinds.
Number of full-time faculty: 11
Average number of majors per class year: 15
Students can complement their on-campus music studies by spending time abroad in major music performance centers such as London, Vienna, Milan and Paris.
Paulo Botelho
Ph.D. Princeton University
Composition, music theory.
Cathal Breslin
D.M.A. University of Michigan
Piano, advanced theory
Bethany J. Collier, director of the Gamelan Ensemble
Ph.D. Cornell University
Ethnomusicology, Indonesian culture, Balinese performance, ritual, politics.
Kimberly Councill
Ph.D. The Ohio State University
Music education.
Barry Hannigan
D.M.A. Eastman School of Music
Studio piano and advanced theory. A concert pianist touring yearly, he has performed in England, Ireland and Norway.
William Kenny, director of Symphonic Band
Ed.D. Illinois
Horn, brass methods, conducting. Instrumental adjudicator and clinician; founder and conductor of the Penn Central Wind Band.
Barry Long, director of Jazz Band
D.M.A. Eastman School of Music
Jazz studies, music theory, music history, race, social justice. Jazz composer and trumpeter.
Christopher Para, director of the Orchestra
M.M. Eastman School of Music
Violin, viola, orchestration, conducting. Frequent guest conductor of European orchestras.
Catherine Fowler Payn, director of the Bucknell Opera Company
D.M.A. West Virginia
Voice, opera, contemporary American art song and American chamber opera. Nationally known clinician and adjudicator.
William Payn, director of choral studies
D.M.A. West Virginia
Nationally known as a clinician and festival conductor, he is also the music director and conductor for the Susquehanna Valley Chorale and Orchestra.
Annie Janeiro Randall
Ph.D. College-Conservatory of Music, University of Cincinnati
Music history, musicology, music in social and historical context, women and gender in music, music in crosscultural perspective, historiography, archival methodology.
Sezi Seskir
D.M.A. Cornell University
Piano.
The John Philip Sousa Society’s Sudler Silver Scroll Award was given to the Penn Central Wind Band, conducted by William Kenny.
Catherine Payn has been elected to the Board of Directors of the National Opera Association where she chairs the research programs in performance, production, composition and opera education.
Barry Hannigan was selected for the roster of the Pennsylvania Arts on Tour.
Barry Long is the recipient of the Dave Brubeck Collection Research Travel Grant (University of the Pacific, Stockton, CA), a rostered speaker for the Pennsylvania Humanities Council, and the Samuel Williams Professor of Music at Bucknell University.
Bethany Collier is a recipient of Fulbright-Hays and FLAS fellowship grants.
"A Bucknell Candlelight Christmas," featuring the Rooke Chapel Choir and the Rooke Chapel Ringers under the direction of William Payn, airs each year on PBS television and was recently nominated for an Emmy award.
Three members of the music faculty have received Bucknell’s Class of ’56 Lectureship Award for inspirational teaching, and one has received the Lindback Award for Distinguished Teaching.