Rebecca Meyers teaches in Film/Media Studies and is the Academic Film Programmer for Bucknell screenings at The Campus Theatre. She is a Board Member of Canyon Cinema, a San Francisco foundation dedicated to educating the public about non-commercial, experimental and artist-made moving images, and she serves on the Review Board for Sensate: A Journal for Experiments in Critical Media Practice.
Rebecca is a filmmaker working in 16mm and was named "One of 25 Filmmakers to Watch for the 21st Century" in a 2010 Film Comment poll. Teaching interests include editing, sound design, film aesthetics, avant-garde cinema and independent film exhibition and distribution.
- M.F.A, M.A., The University of Iowa
Current Projects and Research Interests
- Rebecca is completing come wishes be horses, a 16mm film weaving audio from a birdwatching walk with images inspired by W.H. Auden's sentiment that it seems "only proper that words/Should be withheld from vegetables and birds."
blue mantle (2010) will show at Cinema Project in Portland, Oregon this fall, in a program entitled GLANCING OUTWARD: New Historicist Films.
Rebecca curated and presented Continuing Cadences: Fulton, Angerame, Sonbert, a program of 16mm films from the Canyon Cinemacollection, for the New York City's Museum of Arts and Design's Eye on a Director: Canyon Cinemaseries (August, 2016).
Looking with Robert Gardner: Essays on His Films and Career (Ed. Rebecca Meyers, William Rothman and Charles Warren) was released by SUNY Press, Horizons of Cinema series, in August 2016.
Lars Henrik Gass' "Ephemeral Tectonic: On the Films of Rebecca Meyers" was published in Germany's Kolik Film (March, 2016).
In May 2015 Rebecca introduced a retrospective of her films organized by Xcentric Cinema at Barcelona’s Center of Contemporary Culture.
blue mantle (16mm, 2010) is discussed in John Powers' article "New Historicist Tendencies," published in Millennium Film Journal (No 61, Spring 2015).