Series editor: Greg Clingham, Bucknell University: firstname.lastname@example.org
This interdisciplinary series features multi-authored guest-edited volumes addressing contemporary issues in the humanities. Revisionist in intention, Aperçus explores the connections among historiography, culture, and textual representation in various disciplines, in order to open up new possibilities for interdisciplinary humanistic knowledge.
This series, edited by Greg Clingham and including 51 titles between 1999 and 2010, produced much solid and some transformative work in interdisciplinary eighteenth-century studies. Titles addressed critical, historical, theoretical, and cultural considerations as they touched the lives and work of particular writers and societies in eighteenth-century Britain, Ireland, Germany, France, Italy, and the Americas.
Series editor: Aníbal González, Yale University: email@example.com
This highly successful series has published some of the best recent criticism on Latin American literature. Acknowledging the historical links and cultural affinities between Latin American and Iberian literatures, the series productively combines scholarship with theory and welcomes consideration of Spanish and Portuguese texts and topics, while also providing a space of convergence for scholars working in Romance studies, comparative literature, cultural studies, and literary theory.
Campos Ibéricos: Bucknell Series in Iberian Studies
Building on Bucknell University Press´ long tradition in the field, Campos Ibéricos is a new series of monographs and edited volumes about the literary and cultural traditions of Spain that are as historically rich and linguistically diverse as they are vital and relevant today. This series provides a space for interdisciplinary and theoretical scholarship exploring the intersections between literature, culture, the arts and media from medieval to contemporary Iberia. Studies on all authors, texts and cultural phenomena are welcome and works on understudied writers and genres are specially sought.
This series builds on a successful earlier Irish Writers series at Bucknell. It provides short and accessible, but theoretically informed monographs discussing a contemporary Irish author's life and work. The energy and enthusiasm that currently characterize Irish Studies has persuaded Bucknell University Press to commence a new series of books of shorter, affordable, accessible, though intellectually serious studies of the most significant contemporary Irish authors.
Essays in Economic & Business History was edited and printed by Bucknell University Press from 2011-2012. Articles for the journals were selected by blind review processes from papers submitted which have been presented at the Annual Meetings of the Economic and Business Historical Society.
Monographs in the Irish Writers Series appeared between 1970 and 1978 under the general editorship of J.F. Carens, consisting of studies of more than 40 Irish writers of the 19th and 20th centuries. Each tittle is devoted to one writer, giving an account of their literary career and major works, and considering the relationship of the writer's Irish background to their writings as a whole.
Series editor: Karin Schutjer, University of Oklahoma: firstname.lastname@example.org
This series, sponsored by the Goethe Society of North America, publishes innovative research that newly contextualizes the "Age of Goethe," whether within the fields of literature, history (including art history and history of science), philosophy, art, music, or politics.
Series editor: Logan Connors, University of Miami: email@example.com
The only North American book series dedicated to French-language theater, Scènes francophones publishes theoretically and historically informed research on dramatic texts and productions from medieval France to the contemporary French-speaking world. Linguistically focused but broad in scope, the series features monographs and multi-authored volumes on dramatic literatures, theories, and practices.
This book series, with accompanying online materials, seeks to develop interdisciplinary and multimedia approaches to the concept of region, place, and ethics in environmental studies. While including a range of disciplines, from sciences and social sciences to literature and philosophy, Stories of the Susquehanna Valley articulates narratives of an eco-region that played a formative if often hidden role in the early American republic, and which today provides potential models for more environmentally sustainable approaches to human community.
Series editor: Richard B. Sher, NJIT and Rutgers University: firstname.lastname@example.org
This series, sponsored by the Eighteenth-Century Scottish Studies Society, publishes interdisciplinary multi-author volumes on particular themes that explore a wide variety of topics having to do with the thought and culture of eighteenth-century Scotland, including Scottish connections and relations with other parts of the world.
The Bucknell Review was, for fifty years (1954-2004), a major journal of letters, arts, and sciences. It appeared in both paper cover and hardback, and published some of the leading scholars in the humanities of the time. It came to prominence under the long editorship of Harry Garvin (1957-1984), and it featured work by dozens of Bucknell faculty. Bucknell Review evolved out of an earlier journal, the Bucknell University Studies (1949-1954), and it has been succeeded by a new interdisciplinary publication, Aperçus: Histories Texts Cultures (2004-). List of general editors: Gladys Cook (1954-1957), Harry Garvin (1957-1984), Michael Payne (1984-1990), James Heath (1984-1985), Mark Neuman (1986-1987), Richard Fleming (1986-1987), Pauline Fletcher (1990-2002), and Greg Clingham (2002-2004).
Series editor: Carmen Gillespie, Bucknell University: email@example.com
This interdisciplinary series, associated with Bucknell’s Griot Institute for Africana Studies, publishes monographs, collections of essays, and poetry exploring the aesthetics, art, history, and culture of African America and the African diaspora.
Begun in 2011—as a new iteration of the Bucknell Studies in Eighteenth Century Literature and Culture (1998-2010; 51 titles)—this series of scholarly monographs and edited volumes publishes beautiful and surprising work. Without ideological bias, the series seeks transformative readings of the literary, artistic, cultural, and historical interconnections between Britain, Europe, the Far East, Oceania, and the Americas during the years 1650 and 1850, and as their implications extend down to the present time. In addition to literature, art and history, such “global” perspectives might entail considerations of time, space, nature, economics, politics, environment, and material culture, and might necessitate the development of new modes of critical imagination, which are welcome.
1650-1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era
Editor: Kevin L. Cope, Louisiana State University: firstname.lastname@example.org. Review Editors: Baerbel Czennia, McNesse State University: email@example.com and Samara Anne Cahill, Nanyang Technological University: SACAHILL@ntu.edu.sg
This well-established annual journal, under the editorship of Kevin L. Cope, commences publication with Bucknell University Press in its 24th volume. 1650-1850 publishes essays and reviews from and about a wide range of academic disciplines—literature (in English and other languages), philosophy, art history, history, religion, and science. Interdisciplinary in scope and approach, 1650-1850 emphasizes aesthetic manifestations and applications of ideas, and encourages studies that move between the arts and the sciences—between the “hard” and the “humane” disciplines. The editors encourage proposals for “special features” that bring together five to seven essays on focused themes within its historical range, from the Interregnum to the end of the first generation of Romantic writers. While also being open to more specialized or particular studies that match up with the general themes and goals of the journal, 1650-1850 is in the first instance a journal about the artful presentation of ideas that welcomes good writing from its contributors. Advisory Board